OMIGOSDDDHHHHHH 3SOME YES???
June 2nd with 117 notes - Reblog
dirty-got-secrets: #369
June 1st with 9 notes - Reblog
dirty-got-secrets: #372 IM DEAD BYE
June 1st with 88 notes - Reblog
dirty-got-secrets: #375 Oh god now I have this image in my head
June 1st with 12 notes - Reblog
celebutanteblog: Marion Cotillard Shares A Laugh With David Lynch AWW???
May 31st with 94 notes - Reblog
bbook: Her songs are still extremely autobiographical, which is perhaps their charm. Following in the footsteps of other singer-songwriters, especially women who emerged in the early ’90s and expressed their emotions in particularly vulnerable ways, Apple’s openness has always had an empowering appeal. Her songs seem to suggest that feeling a variety of emotions—sadness, glee, despair, insanity—is not only normal, but, like those self-reflective musicians before her, she also gives permission to her listeners to feel the same way. Even for Apple, her older songs are relics of another time, and she now makes them applicable to her life in the present. “They all kind of become poems after a while,” she says. “You can take your own meaning out of them. It’s been a very long time [since my first albums], and I can apply those songs to other situations that are more current in my life.” She admits she has changed greatly since she started writing songs in her late teenage years, especially when it comes to how she portrays herself. “I don’t feel comfortable singing the songs that I wrote. I used to blame other people and not take responsibility. I thought I was a total victim trying to look strong.” And she is much harder on herself in the songs on The Idler Wheel than she ever was before. Sure, she admitted to being “careless with a delicate man” in “Criminal,” arguably her most famous song, and in When the Pawn’s “Mistake” she sang, “Do I wanna do right, of course but / Do I really wanna feel I’m forced to / Answer you, hell no.” On The Idler Wheel, Apple examines her own solitude and neuroses as well as their effect on her relationships with others. “I can love the same man, in the same bed, in the same city,” she sings on “Left Alone,” “But not in the same room, it’s a pity.” On “Jonathan,” a somber love song layered with robotic, mechanical sounds that’s presumably about her ex-boyfriend, author and Bored to Death creator Jonathan Ames, she urges, “Don’t make me explain / Just tolerate my little fist / Tugging at your forest-chest / I don’t want to talk about anything.” The Long and Winding Road That Leads to Fiona Apple
May 31st with 153 notes - Reblog

May 31st with 94 notes - Reblog
May 31st with 15,905 notes - Reblog
FUCKYESSSSS
May 30th with 53 notes - Reblog
keganschell: Day 7: Favorite Promotional Photo from the show well yes
May 30th with 10 notes - Reblog
cthulhuforpresident: This picture makes me happy in my pants…also how come NO ONE has chest hair…do they shave it or are they just unusually hairless…
May 30th with 8 notes - Reblog
imnotweird: Daddy’s home
May 30th with 12 notes - Reblog
D’OH
May 30th with 46 notes - Reblog

May 30th with 40 notes - Reblog
 Say My Name by Destiny's Child
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 From the album Billboard Top 100 Of 2000
May 30th with 459 notes - Reblog - 2,643 plays